The greatest strength of Widows is how the collaborative effort of filmmaking makes it outstanding. With exception of a somewhat rushed ending, it's a puzzle that's a pleasure to see pieced together.
Its message is as effective as a head shot, but thanks to Sam Levinson's direction it's no where near as messy. Assassination Nation tackles the issues plaguing our society today with a tongue-in-cheek approach and a bucket full of bullets.
Like the worst kind of ex-partner, The Spy Who Dumped Me is vicious, unfunny and insanely obnoxious. Just like that ex then, this isn’t something you ever want to go back to; it's best to just move on - it ended for a reason.
The largely unnecessary gender-swapping of franchises continues with the throwaway Ocean's Eight, a film whose only crime is guilty of is stealing your time while looking good doing so. i
Alex Garland's second feature is a fascinating and unusual tale, with a strong central premise executed with a decent level of precision but the lack of closure may turn some viewers off.
Lara Croft and the Curse of the Game to Film Movies remains unlifted, but Alicia Vikander shows promise if there are to be any future films in the franchise.